• Professional



Museum Director


Eugene McDermott Director, Dallas Museum of Art



Agustín Arteaga is Eugene McDermott Director of the Dallas Museum of Art since 2016.

As Director and Chief Executive Officer at MUNAL since 2013, Arteaga has enhanced its exhibition program through key international partnerships, dramatically grown its annual attendance, established new streams of institutional support, and expanded the museum’s collection of over 7,000 works with more than 35 strategic gifts and acquisitions—including major works by Diego Rivera, Francisco Zúñiga, Gabriel Orozco, and Abraham Cruzvillegas. Arteaga led the museum through a five-year strategic planning process that focused on developing new audiences, implementing new technologies, and ensuring financial stability for the institution. Under his leadership, MUNAL has established individual and corporate sponsorships, which are unprecedented in Mexico. MUNAL also saw an increase in attendance of 30 percent during his tenure through the presentation of increasingly innovative exhibitions and programs that highlighted the museum’s outstanding collections in new ways.

Arteaga has organized more than 100 exhibitions over the course of his career, including major monographic presentations of Andy Warhol, Roy Lichtenstein, and Diego Rivera; survey exhibitions of French Impressionism and Old Master works; and thematic exhibitions that have stretched across centuries and cultures. At MUNAL, he oversaw the development of a five-year exhibition program, including the organization of an ambitious series of major international exhibitions, among them: Landscapes of the Mind: British Landscapes from the Tate Collection (2015); The Male Nude: Dimensions of Masculinity from 19th Century and Beyond (2014); and Yo, el Rey: La Monarquía Hispánica en el arte (2015), which involved over 200 loans from 40 institutions, including the Prado, the Metropolitan Museum of Art, and The Royal House in Spain, and which set recent attendance records for MUNAL. He also was instrumental in helping MUNAL forge partnerships with international peers such as the Grand Palais, Los Angeles County Museum of Art (LACMA), the Metropolitan Museum of Art, Musée d’Orsay, Musée des Beaux-Arts de Lyon, the Tate, and the Whitney Museum of Art, in support of its exhibition program.

Prior to his role at MUNAL, Arteaga served for nine years as the Executive Director and CEO of Museo de Arte de Ponce (MAP) in Puerto Rico, which is noted for its extraordinary collection of nearly 4,600 Old Masterworks spanning the 14th century to the late 19th century. Arteaga spearheaded the museum’s transformation into a globally significant institution—leading the construction of a new 45,000-square-foot building and the renovation of MAP’s original 1964 Edward Durrell Stone building into a modern, state-of-the-art facility in 2010. During his tenure he secured major donations of works of art, among them Roy Lichtenstein’s Brushstroke in Flight, a 29-foot-high sculpture from The Roy Lichtenstein Foundation.

From 2000 through 2002, Arteaga was the Founding Director of the Museo de Arte Latinoamericano de Buenos Aires (MALBA) Fundación Costantini in Argentina, which today is an internationally recognized contemporary art museum focused on Latin American and contemporary art in the Americas. At MALBA, he set the institution’s mission and vision; oversaw the design and construction of the museum’s $30-million building; and organized and curated its inaugural exhibition Encounters: Art in Latin America, as well as major traveling exhibitions on Guillermo Kuitca and Lasar Segall, presented at Museo Reina Sofía, Madrid, and Museo de Arte Moderno, Mexico City, respectively.

He additionally served for five years as Director and Chief Curator of Museo del Palacio de Bellas Artes (MPBA) in Mexico City from 1994 through 1999, where he increased annual attendance from 240,000 visitors to more than one million. From 1994 to 1998, he concurrently served as the National Director of Visual Arts at Instituto Nacional de Bellas Artes (INBA), where he supervised a network of over 20 museums across Mexico, providing strategic leadership and professional development.