Category
  • Professional
Residence
San Francisco, California, USA
Social media

Experience

Profession

Curator

Position

Curator of Photography, SFMOMA

Education Edit

  1. PhD candidate in Art History, Stanford University, Stanford, California, USA
  2. Center for Curatorial Leadership, Bard College, 2015, Annandale-on-Hudson, New York, USA
  3. AM in Art History, Stanford University, 2001, Stanford, California, USA
  4. Paris Photographic Institute, 1992–1994, Paris, France
  5. BA in American Studies, Yale University, 1992, New Haven, Connecticut, USA

Profile

Bio

Corey Keller is Curator of Photography at the San Francisco Museum of Modern Art since October 2012 (she was previously Associate Curator of Photography when she joined the SFMOMA photography department in 2003).

At SFMOMA she has organized a number of major exhibitions, including Brought to Light: Photography and the Invisible, 1840–1900 (2008), which explored the use of photography in nineteenth-century science, and the traveling retrospective, Francesca Woodman (2011). Since 2003, Keller has overseen Picturing Modernity, SFMOMA’s ongoing presentation of its photography collection, and a large-scale collection installation, About Time, for the museum’s re-opening in 2016. In addition to authoring several SFMOMA publications, Keller has contributed essays on Eadweard Muybridge, Carleton Watkins, and Jay DeFeo.

In 2010 she conceived the SFMOMA symposium “Is Photography Over?” and participated as a panelist. Photography has almost always been in crisis. In the beginning, the terms of this crisis were cast as dichotomies: is photography science or art? Nature or technology? Representation or truth? This questioning has intensified and become more complicated over the intervening years. At times, the issues have required a profound rethinking of what photography is, does, and means. This is one of those times. Given the nature of contemporary art practice, the condition of visual culture, the advent of new technologies, and many other factors, what is at stake today in seeing something as a photograph? What is the value of continuing to speak of photography as a specific practice or discipline? Is photography over?

SFMOMA invited a range of major thinkers and practitioners to write brief responses to this question and then convene for a two-day summit on the state of the medium in April of 2016. Participants included Vince Aletti, George Baker, Walead Beshty, Jennifer Blessing, Charlotte Cotton, Philip-Lorca diCorcia, Geoff Dyer, Peter Galassi, Corey Keller, Douglas Nickel, Trevor Paglen, Blake Stimson, and Joel Snyder.

She is working on the first survey of the 19th-century photographer J.B. Greene, and is co-organizing an exhibition on Man Ray.

Previously, Corey held curatorial positions at the Museum of Modern Art, New York (Curatorial Assistant, Photography), and the Whitney Museum of American Art (Senior Curatorial Assistant). She received her A.M. in art history from Stanford, where she was a doctoral candidate (ABD), and holds a BA in American Studies from Yale. www.curatorialleadership.org/fellows/corey-keller/

Quotes Edit

  1. "Photography changes everything." —Twitter, September 18, 2013